Monday, April 22, 2013

Obatala




The Orisha Obatala, Father of The White Cloth, Calm, Tranquility, and Peace, has his warrior side as well.

This path or avatar of Obatala is known as Ayáguna (or Ajáguna). He is young, about 33 years of age. His temperament and attributes are similar to those of Shango. He wears a red sash over one shoulder, rides a white stallion, and wields a saber. This Obatala fights for and in the name of peace.

Eleggua

The following is information I collected from a few sources online, and compiled here. I have written in a note here and there with a *. Please pardon the grammar, I kept it as I found to keep it as pure as possible. This explains a little more about the Guardian of The Crossroads, The Divine Messenger, Childlike Trickster, Phallic Spirit, Warrior, Orisha (Spirit of Nature), Eleggua (Eshu-Elegba). Who in case you didn't know, is my Guardian Orisha.


Eleggua is an Orisha. First of the warriors next to Ogún *(Orisha of Iron), Oshosi *(Orisha of The Hunt) and *Osun (The Watcher). Eleggua is the first proteción, is the first that any aleyo or nascent one in the religion must consecrate. He represents the sight that follows a way. He is a ferocious warrior, when united with Ogún and Oshosi, nothing stops him. He is symbolized by rocks in the nature. He came to the Earth accompanying Obatala *(Orisha of The White Cloth), and he is the messenger of Olofin *(God on Earth, equivalent to Jesus in Christianity). He lives in most cases behind the door. He is the owner of the paths and the destiny. He is who closes or opens the astral ways for the happiness of the men. He is always taked into account to make anything. He is the doorman of the plains and the forrests.



Eleggua is a God or Orisha that is crowned, goes to mat the day of itá of Orisha and speaks by diloggún. The main sign of the Olosha is determined by its conversation and the sign of the angel of the guard. Also he is who interprets the main of the letters of the oracular system of diloggún and plays a fundamental roll in the oracle subsystems of Biangue or Aditoto. He is given by Babaloshas and Iyaloshas. He has been the unique one that has gone and returned of the world of Ará Onú. He gained sufficient privileges from Olofin, Obatala and Orunmila (Orunla) *(Orisha of Knowledge and wisdom) to be first in being taken care of. His hand of shells is the greater, since it consists of 21, these are also the number of its ways. The oracle of the cocconuts (obi) belongs to him par excellence next to Obatala.

His number is 3, his colors are red and black. Monday and the 3rd day of every month are his days. He is syncretized with the Young Saint of Atocha (January 1st).



He is greeted Laroyé Eleggua!

Eleggua's Family:
Son of Okuboro and Añagui, kings of the region of Egbá. His original name comes from the Yoruba Èsú (Eshu) Elègbará (messenger and prince of those who live in Egbá). Others says that he was son of Obatalá and Yembó, brother of Shango, Oggun, Osun, and Orunla.

*Note: For the most part, Eleggua as well as Orunla were present to witness creation. So Eleggua knows what has happened, what is happening, and what will happen. Eleggua though he looks like a very young man, is as old as time itself.

Eleggua and Diloggun:
He speaks in all the odus as he owns them, but fundamentally he speaks in Oddi, Okana Sode and Ojuani Shobe.



Tools of Elegguá:
He dwells in any of these: one otá (stone), stone of shell, stone of reef, otá with load, snail cobo with load, a dry coconut or with mass with load. He is placed in a pot. His attributes are bells, a stick (cane) of guayaba, a mouse trap, coins, toys, small balls, whistles, matracas, hat of guano or straw, a maraca painted with his colors. His elekes (necklaces) are made of alternate black and red beads.

Eleggua tools of power:
The stick.



Suits of Eleggua:
Elegguá dresses in frock coat, small trousers and a red hat. The colors of these must combine in red and black. Some times, instead of being combined red and black stripes are used. All the suit, specially the cap, ornaments with small balls and shells.



Offerings to Eleggua:
Goats, roosters or chickens, chicks, jutías *(African bush rat), black or red mice are immolated to him. His taboo is the doves, because they debilitate him, except in some paths where he admits it. His ewes are abrecaminos, knows lesson, croto, carob tree, camphor, almacigo, watercress, basil, Chilean red pepper, red pepper guaoguao, poplar, atiponlá, almond, leg of hen, ceiba, curujey, chichicate, rattan guaro, jobo, peonía, peregún, wonder, pricks goad, scrapes language, siempreviva, rompesaragüey, verdolaga, prank, white, pendejera bramble, pinion earthenware pitcher, etc.



Dances of Eleggua:
When Eleggua comes down, he will run and will stand after the door. Then he will jump and contortion, he will make boyish faces and play like a child. Some of their movements can be very erotic. He will joke with the audience and will be able to disappear of the view to appear at the less awaited moment. A characteristic step is to stand in a foot and to circle quickly. A pothook will always be given to him, will use it to make mimics of opening a way through a dense vegetation. The other dancers will imitate their movements, individually or in groups.


Crowning Eleggua. Kari-Osha *(a ceremony where one is crowned a priest of a specific Orisha, their guardian):
In order to crown this Orisha, before one must have received the Orisha warriors. Then during the coronation, the Orishas and Orishas to receive are the following.

Elegguá, Ogún, Oshosi, Obatalá, Oke, Yemayá, Ibeyis, Shangó, Ogué, Oshún and Oyá.



Paths of Eleggua:
Eleggua Abaile.
Eleggua Afrá.
Eleggua Agbanukué [Agbanuké].
Eleggua Akéru.
Eleggua Agongo Ogo.
Eleggua Akesan.
Eleggua Wing Him Ilú.
Eleggua Wing Lu Banshé.
Eleggua Alaroye Akokelebiyú.
Eleggua Añanki.
Eleggua Awó Bara.
Eleggua Elufé.
Eleggua Barakikeñerí.
Eleggua Bara Wing Asuayo [Lasuayo].
Eleggua Aggó Meyó.
Eleggua Biawooná.
Eleggua Eborikeke.
Eleggua Agüere Kikeño [Kinkeñe].
Eleggua Agatigaga.

*In the African Traditional Religion of Ifa (Yoruba), there are 256 paths of Eleggua (Eshu-Elegba). In the Afro Cuban branch, there are 101 paths of Eleggua.

Characteristics of the Omo (children of) Eleggua:
Intelligent and capable, but little scrupulous. HIGHLY SEXUAL. They are talkative and they can sell until the impossible thing if they're allowed to speak. They like outsides and tend to change of couple frequently. They incline to the corruption, the mischief, the swindle and the intrigue, which ensures the success in their lifes.

Legend or Pataki of Eleggua:
Obí (the Cocconut) was pure, humble and simple, for that reason Olofin made white his skin, his heart and entrails and placed it at the top of a palm. Elegua, the messenger of the Gods, was to the service of Obí and soon he realized that Obi has changed.

One day Obí decided to make a great celebration and commanded Eleggua to invite all his friends. Eleggua knew them very well, knew that many of them were the most important people of the world, but the poor men, the sick and the deformed ones, were also his friends and decided to give him a lesson by inviting not only the rich ones.

The night of the celebration arrived and Obí, proud and arrogant, got dressed to receive its guests. Surprised and displeased he saw arrive at his celebration all the poor and sick. Indignant he asked to them:

- Who invited you?

- Eleggua invited us in your name - they answered to him.

Obí insulted them for being so bold to come to his house dressed in rags.

- You must leave here immediately - he shouted to them.

All left with sorrow and shame and Eleggua went with them.

A day, Olofin commanded Eleggua with a message for Obi.

- I refuse to serve Obi - Eleguá said. He has changed much, no longer he is friend of all the men. He is full of arrogance and he does not want to know about those who suffer on earth.

Olofin, to verify if this were certain, got dressed as a pauper and went to Obi's house.

- I need food and refuge - he requested him, faking a voice

- How you dare to show up in my pressence so ragged! - he yelled him.

Olofin without disguising the voice exclaimed:

- Obi, Obi.

Surprised and shamed, Obi knelt down before Olofin.

- Please, forgive me.

Olofin answered him:

- You were righteous and for that reason I made your heart white and I gave you a body worth of your heart. Now you are full of arrogance and pride. In order to punish your pride you will remain with the white entrails, but you will fall and roll by the earth until you are dirty. In addition you will have to serve to the Orishas and all the men. And for that day on Obi became servant of the Orisha and one of the more popular oracle.

Sunday, April 21, 2013

A BIG THANK YOU

I Aphrosoul wish to give out A BIG THANK YOU for showing up to the 3rd installment of MOJUGBA, your attendance was heartfelt. I also wish to give thanks to DJ Greg Cee of Brooklyn Suns for once again powering the sound. And finally I wish to give thanks to the staff of Bushbaby Bar and Grill for their beautiful space. The night went beautifully as more and more individuals hear about the monthly gathering and what it has to offer. Their was a lovely young lady celebrating her born day, she danced the night away, as we all broke into happy birthday (the Stevie Wonder version of course). I must say it was the highlight of the night, next to the fact that everyone connected and followed along the eclectic musical journey, guided by you know who. It was truly a magical night of dance, music, love, celebration, with the cleansing rain as a backdrop.

The next installment of MOJUGBA! will be FRIDAY, MAY 17TH! at BUSHBABY BAR & GRILL! BROOKLYN! Everyone with a born day during the month of May, COME OUT! SHOW UP! So we may give HOMAGE to YOU, for MOJUGBA, is a Yoruba word meaning, "TO GIVE HOMAGE." We not only GIVE HOMAGE to YOU, but also The Ancestors, The Spirits of Nature, The Elements of The Universe, and to God Almighty. Were it not for The Creator, we all would not be here.

Once again, I thank you all for becoming as well as being a part of something special. And for those of you who have yet to experience MOJUGBA. I know we all have lives to live, and have much better things to do with our time, than coming to see and listen to the message in the music spun by little old me. But there are some of you (not calling any names, nor am I starting anything. Just calling it as I see it), that will break your neck (and your back), going through all kinds of rain, sleet, snow, and gale force winds to get to other parties. AND PAY an arm, a leg, a toe, and a pint of blood to get in. Where there is no food, the drinks are overpriced (and watered down), and DJ Predictability is basically playing from a preordained playlist from so and so's online music site. The music has no feeling, it's just not telling a story, not talking to you, not taking you on a journey.

But there is a place where there is NO COVER, there is FOOD, and it is GOOD for you as well as GOOD to you, the DRINKS are very AFFORDABLE as well as THIRST QUENCHING, and the DJ is not just a DJ, but an ARTISTIC MESSENGER, A GUIDE through the MUSIC. Never spinning from any playlist, but spinning from the HEART, spinning from the SOUL. A beautiful combination of Eclectic Soul Music for your MIND, Flavorfully Good Food to nourish your BODY, Drink Specials to quench your Soul. Culminating in Dance to RELEASE YOURSELF. All I ask that you FREE YOUR MIND, as well as some of your time, and please COME, SHOW UP, TELL A FRIEND, BRING A FRIEND.

Who: APHROSOUL
What: MOJUGBA
When: EVERY 3RD FRIDAY OF THE MONTH, 10PM-4AM
Where: BUSHBABY BAR & GRILL, 1197 FULTON ST (OFF BEDFORD AVE), BROOKLYN
Why: To Give Homage to You, The Ancestors, The Spirits of Nature (The Elements of The Universe), God Almighty.
Through Music.

TELL A FRIEND, BRING A FRIEND.

Music is Life, Life is Music.
No Music, No Life.




Wednesday, April 17, 2013

Frequently Asked Questions About Lukumi (Santeria)

There are many who either have a misconception, or just do not know about the Yoruba based Afro Cuban religion of Lukumi (also known as Santeria). I found these Frequently Asked Questions (FAQ) about "The Religion," as it is sometimes called. I do hope that they are most helpful in answering most of your questions about the culture, the religion, that I practice, my spiritual path.

FAQ LUKUMI SANTERIA



1.GENERAL QUESTIONS FROM OUTSIDERS/NEWCOMERS ABOUT LUKUMI (Santeria)

a. What is Lukumi?

Lukumi (often spelled Lucumi), popularly known as Santeria, or La Regla de Ocha is a religious system brought to the New World island of Cuba by Yoruba slaves from Africa in the area that is now Nigeria .

b. Where did Lukumi come from?

The roots of Lukumi are from the Yoruba speaking peoples of West Africa - who had various sub-ethnic groups. Lukumi evolved out of contact between enslaved Africans brought to Cuba with other African ethnic groups, and the diffusion of the Roman Catholic rituals of the slaveholders. This process is often referred to as syncretism. Elements of contact with surviving indigenous Caribs, and with Chinese indentured labor on the island also affected Lukumi ritual practices.

c. What is Santeria?

A popular name for the New World African based religion, Lukumi or La Regla de Ocha, which has incorporated elements of Catholic worship. Orisha are often popularly referred to as "saints", however - Shango is not Saint Barbara, nor is Babaluaye Saint Lazarus.

d. Why do you call your religion "santeria" and yourselves "santera/santeros" if you don't worship saints?

Since slaves In Cuba were not allowed to practice their religions openly, and slaves were also baptized Catholic by their Spaniard enslavers, the practice of Yoruba religion had to incorporate elements of Catholicism in order to survive. Over time - descendants of Africans in Cuba continued to practice Catholicism - but to also continued their earlier beliefs. There was diffusion of Catholicism into Yoruba belief. Slaves were allowed to join societies called Cabildos, which were devoted to specific saints. Members of the Cabildos paraded - and formed groups ostensibly devoted to the Catholic images, while still practicing as priests in the older Yoruba tradition. These Lukumi priests, as a result, were called “santeros”.

e. What/who are the Orisha?

Orisha are deified ancestors - symbolic of both natural forces and energies who stand between the living and the Creator (Olodumare) in Yoruba belief. Their energies directly interact with humans, since Olodumare is distant and removed from human affairs.

f. What are Egun?

Lineal ancestral spirits. All ceremonies and rituals in the Lukumi religion begin with paying homage to one’s ancestors.

g. Why is your religion secret?

Because it was repressed under slavery, its adherents arrested and persecuted, open worship was impossible both during enslavement and after emancipation. Due to the ethnocentrism and racism of practitioners of mainstream religions who did not recognize African systems of belief as religions, and to their attitudes towards animal sacrifice as part of ritual, Lukumi was banned.

When the Church of the Lukumi Babalu Aye v. City of Hialeah won a Supreme court case in 1993, it opened the doors for Lukumi worshippers to begin to practice openly in the United States . There is still a level or fear and paranoia - heightened by media sensationalism, misinformation, and local ordinances that restrict Lukumi worshippers from openly declaring their faith and exercising their right to worship. As more scholarly books are published, as Lukumi’s become more pro-active, this situation is changing. The Internet has played a major role in this process.

h. How do I deal with a Lukumi practitioner as an employer, co-worker, teacher, health practitioner, corrections officer?

The same way you would deal with people of other faiths - with respect. If they are wearing bead necklaces - refrain from touching them. If they have their heads covered - respect that the same way you would respect the yarmulke of a Jewish person, the turban of a Sikh or the kufi of a Muslim.



2. QUESTIONS ABOUT LUKUMI AS A BELIEF SYSTEM AND IN RELATIONSHIP TO OTHER RELIGIONS/FAITHS

a. Do you believe in God?

Yes we believe in a Creator who we call Olodumare.

b. Do you believe in the Devil?

No. Yoruba belief has no oppositional set up - good versus evil, God versus a Devil. One strives to develop good character and good works during your lifetime. There are concepts of negative energies however - most generated by human foibles.

c. Do you have a Church or place to worship?

Lucumi practitioners have shrines and altars in their own homes, but come together for group worship in a variety of locations for specific events. This is one of the main differences between Lukumi and Candomble of Brazil - a sister worship system, where there are terreiros or houses of worship.

d. Do you have a religious text like the Bible or Koran?

Yes - but it was orally transmitted until recently. This corpus of knowledge includes Odu Ifa and patakis (moral parables)

e. Where can I find / read your sacred text? Who wrote it?

There are numerous ethnographic texts compiling portions of Odu Ifa, prayers (Oriki) and patakis (parables) as well as the body of religious ceremonial songs and drum patterns which are prayer as well. No one text exists with the entire corpus since it is still oral and passed down from teachers to students.

f. Is Lukumi/Santeria a cult?

No. “Cult” is a pejorative term. Lukumi is a religion. It has over 20 million adherents in the New World when you include the branches in Brazil .

g. Isn't Lukumi/Santeria voodoo?

No. Voudou or Vodoun is an West African religion brought to the New World by the Fon people of Dahomey , and though they have similarities they are different in genesis.

h. What's the difference between Lukumi and Espiritismo?

They are completely different systems of belief. Lucumi is a religion, Espiritismo is the practice of mediumship, dealing with the dead and guardian spirits - based on French spiritism which became popularized in the New World in the early 1900’s, particularly in Puerto Rico. In the 1940’s and 1950’s some practitioners of Espiritismo also became Santeros - and have grafted the two practices together.

i. Is Lukumi a Pagan religion and if not what makes Lukumi different?

If you define Pagan as a pan-theistic folk tradition, then no - because Lukumi Yoruba belief is mono-theistic and urban.

j. Isn't Santeria/Lukumi brujeria(witchcraft)?

No. Brujeria or witchcraft is the practice of contagious and/or sympathetic magic.

Lucumi prayer - like all world religions seeks the intercession of the divine.

k. Isn't the religion purer in Africa ?

No. In Africa the religion has also been influenced by Islam and Christianity - and the decimation of the slave trade took a heavy toll on African adherents. A better way to phrase this is that both African and New World traditions are not static and change to adjust to variances in history, and contemporary socio-political conditions.

l. Who is the symbolic or de facto leader of your religion, i.e. - Pope, Dalai Lama, Archbishop, Ayatollah, etc.?

There is no one leader. The Lukumi system is organized around “iles” (houses of worshippers) or “ramas” (lineages of worshippers) and since the religion is hierarchical - the leaders are elders, or those with elder status from the various ramas or iles.

m. What are the "unchanging truths" of your religion?

Reverence for the ancestors.

Each person is born with an Ori (or destiny) that they have chosen.

Belief that there are mediators between oneself and Olodumare (the Creator), called Orisha.

n. How old is your religion? Who founded it?

This question is debatable -many archeologists and historians have asserted that the Yoruba migrated to what is now Nigeria around 1000 C.E. The greatest influx of Yoruba slaves arrived in Cuba by the mid to late 1800’s so Lukumi as it is practiced today has ancient roots with modern New World modifications.

o. How many followers do you have, worldwide?

Estimates range from 15 million to 40 million world wide. Figures in the US are debatable - since there are still many religionists who will not admit openly to their practice, due to prejudice and legal suppression.

p. Where can I go to find out more information?

See book lists and suggested reading posts google group alt.religion.orisha

There are many more books available these days, and many online forums where one can talk with priests and practitioners. A word to the wise - some of the books currently on the market are full of errors, some of the websites are run by charlatans. This is a religion that requires a relationship to teachers and guides. It's not "do-it-yourself", in either practice or initiation.

3. QUESTIONS ABOUT LUKUMI STRUCTURE AND ORGANIZATION

a. What is a rama?

A lineage of priests - dating back to one common initiated ancestor

b. What is an ile?

A group of related priests, and godchildren (initiated and uninitiated) who come together to pray, to learn, and to perform ceremonies.

c. What is the relationship between Babalawos and Santeros?

Babalawos are diviners and herbalists who are priests of Orumila/Ifa who do not become possessed by Orisha and play a meditating role in Lucumi practice.

Some houses (iles) in Lucumi have a close working relationship with Babalawos and others do not.

d. What are the different levels in the religion?

Oluwo - A Babalawo (priest of Ifa) who has also been initiated to a specific Orisha

Oba/Oriate A priest highly trained in cowry shell divination who also functions as a Master of ceremonies for ritual

Iyalorishas and Babalorishas - priests who have initiated godchildren

Oloshas - priests who have not initiated godchildren

Omo Aña - A fraternity of male priests dedicated to playing the sacred Aña drums (fundamento bata)

Akpwon - an expert in ritual songs who leads the singing in ritual drumming and ceremonies

Iyawos - initiates in their first year (see Iyawo section)

Aborisha (sometimes called aleyos) non- priest members of an ile

e. What tasks do people in the religion do, or skills do they learn/utilize?

The Lucumi community is extremely diverse, and since the religion is not practiced in isolation, the community requires a variety of skills.

Crafting of articles for initiations or other functions:

Clothing makers, Throne/altar builders, Potters, Blacksmiths/iron workers - Woodworkers and carvers, mask makers Silver and goldsmiths

The Kitchen: Cooks who are skilled in preparing foods presented to Orisha as well as cooking for large numbers of people. Pluckers, pot scrubbers, coconut openers, peelers, shredders and graters (kitchen prep)

Musicians: singers, drummers, shekere and bell/hoe players.

Scholars, historians. writers, & illustrators

Herbalists and botanists: Herbalists in Lukumi are called "osainistas", they work with the Orisha Osain, and have a knowledge of herbs used for healing and cleansings.

Diviners: There are several different divination systems within Lukumi. The simplest is done with Obi (coconut). Experienced diviners use dillogun (shells) or if they are Ifa priests, they use ikin (kola nut)

4. IYAWOS - BRIDES OF THE ORISHA

a. What is a Iyawo?

A recently initiated priest. Iyawo means “bride of the Orisha”

b. Why is he/she wearing all white ?

For the first year Iyawos are spiritually vulnerable and wear white to repel negativity, as a symbol of purity and to bear witness to the community at large that they have been initiated to the priesthood.

c. Why can’t Iyawos take pictures?

They are to avoid all manifestations of vanity. This includes avoiding looking in mirrors for a specific part of the Iyawo year. Make-up, and perfumes are also forbidden during the year in white.

d. Why can’t I touch a Iyawo?

Because they pick up other peoples’ energy.

e. Why are they eating on the floor?

The Iyawo is considered to be a baby - since initiation is considered to be the “birth” of a new priest. Consequently Iyawos sit on the floor, are waited upon and do not eat with a knife or fork - only using a spoon or fingers.

f. If I'm married, do I have to give up sex with my partner during my Iyawo year?

No.

g. What taboos do you have to observe during your Iyawo year?

They vary depending upon the specific divination received during initiation. Iyawos do not drink alcoholic beverages, try to avoid being out at night (unless their job requires it) and wear white clothing. Other prohibitions are specific to Odu.

f. What do I do if my job has problems with me dressing in white?

Discuss this with your godparents. Most Iyawos who hold jobs that require a uniform wear the uniform, but change into whites as soon as they get home from work

5. QUESTIONS ABOUT LUKUMI PRACTICE

a. What taboos are practiced in Lukumi?

Taboos in Lukumi come from a variety of sources - some are cultural (influenced by African retentions or diffused into Lukumi from Catholicism), some are related to an Odu of divination received by a specific person, others are gender related, and a few are universal.

Few Lukumi will ever dress completely in black clothing - since black attracts negativity.

Cremation is a burial taboo

Women don’t play Aña fundamento drums

There are numerous food taboos - some related to food that are served to Orisha (like no salt in food for Obatala) and others related to Odu (example - not eating hot spicy foods)

b. Why do you have taboos?

Because everything is a way of increasing or decreasing ache - and Odu can indicate things that will be detrimental to your ache, just as it can indicate things that will enhance your ache

c. What is Ache (Ashé)?

Ache (Ashé) is a Yoruba concept for power and divine grace

d. Why do you sacrifice animals?

The ritual sacrifice of animals, though important, has been blown out of proportion by the media, and is not the main focus of Lukumi ceremonies. The animals are consecrated offerings, made sacred for communal meals, which are shared with the ancestors and Orisha. This is similar to Jewish kosher meat (ritually slaughtered) or Islamic halal meats.

e. Do you sacrifice people?

No.

f. What is possession?

Possession is a state of being in which the conscious self is suppressed in order to allow for the entry of the divine.

Some priests and even non-initiates may become possessed, but it is not a requirement for initiation. Possession takes place to allow direct communication between Orisha and worshippers. A person who has the demonstrated capacity to be possessed is called a “horse”(caballo), mount or “subidor”.

g. Why do you burn candles?

A candle is a prayer in light - and represents the presence of the divine. We light them to open ritual Orisha spaces and for the ancestors.

h. Why must women wear skirts?

There are traditional gender roles in the religion. Female Orishas are portrayed in skirts and male Orishas in pants and this tradition has been continued, even though in secular settings priests are free to wear what they choose, out of respect for the tradition, we honor the ancestral dress code.

i. Why do you wear beads, (elekes, collares)? What do the beads mean?

The multi-colored bead necklaces represent the energies of the Orishas, and are consecrated. They provide spiritual protection for the wearer - and also serve to identify co-religionists

j. Do you have to wear those bracelets?

The bracelets (ides or manillas) are like the beads (elekes) - they represent different Orishas and are consecrated.

k. Why can't I touch your necklaces (elekes)?

Because they are sacred.

l. How do you talk or pray to Orishas?

We say many types of prayers, called Oriki and for us song is also prayer as is dance.

m. Can Orishas understand me if I speak English?

Orishas understand the language of the heart.

6. DIVINATION/READINGS

a. What is Lukumi divination?

Lukumi’s use three types of divination; merindilogun (16 cowry shells), divination with Obi coconut , and Babalawos divine with palm nuts (ikin) and the divining chain (okuele).

b. What is the difference between get a reading from a Santero, Italero (Oriate), and a reading from a Babalawo?

Santeros and Italeros use 16 cowries. There are some Odu that can only be read/interpreted by Babalawos using ikin (palm nuts) or the divining chain.

c. Do I have to join to get a reading?

No. Diviners see clients who are not Aborisha.

d. How do I select a person to give me a reading?

Try to get a referral from someone with experience in the religion who can recommend a qualified diviner.

e. What does it cost?

The cost varies - usually a preliminary 16 cowry reading is 21 dollars (East coast), 50 dollars (west coast). Babalawo’s readings may be more costly.

f. What is ebo?

Ebo is an offering to the Orishas -it may be cooked food, flowers, fruits, or an animal. Ebos are usually marked in a divination session.

g. Why do I have to do an ebo?

You don’t HAVE to do anything - but if you have gone to a reading and received advice on how to rectify a situation,, and an ebo is marked - why not complete the process?

h. Who will do one for me if I’m not a member?

The person who marked the Ebo for you

i. How do I find out my guardian Orisha?

Unless you are planning to become a member, the Orisha who is your guardian is Obatala - the owner of all heads. Once you have joined, and found godparents, when it is deemed necessary your guardian Orisha is determined by divination, either with cowry shells, or by Babalawos in a session called a “plante”.

7. QUESTIONS ABOUT JOINING THE LUKUMI FAITH

a. Who can join? Can only Hispanics and African-Americans join?

Depending on the ile - some are predominantly African-American or Afro-Caribbean, others predominantly Spanish speaking - but many iles these days are multi-cultural.

b. Do I have to speak/learn Spanish?

It helps to learn some Spanish if you are going to participate in the larger community.

c. Do I have to speak/learn Yoruba?

No. You will learn to speak some Lukumi, because many aspects of the liturgy and ritual are in Lukumi/Yoruba dialect, as are all the songs. There are practitioners who have learned Yoruba, as spoken in Nigeria - but Orishas understand all languages.

d. How do I join, find and choose a godparent?

You need to find an ile, and godparents. Do some reading first. Be prepared - don't just walk into the first botanica (ATR religious supplies store) you find asking around, or send an email off to a purported priest (anyone can claim to be an initiate on the internet )
Many are legitimate priests however - you just need to learn how to tell the difference.

Three good introductory texts are: Four New World Yoruba
Rituals, by John Mason, Finding Soul on the Path to the Orisha, by
Tobe Melora Correal and Santeria, by Joseph Murphy.

Second. After you have done some reading, then start looking for an ile and godparents, or at least a godparent. Orisha traditions are communal and hierarchical. These are not "do-it-yourself" traditions, and you cannot self-initiate. This is a lineage based system - with levels of initiation, and it takes time to move through these levels and be trained. Not everyone has a calling to the priesthood. Some people are content to join an ile and stay as simple worshippers. Some folks don't even go that far - they are simply "clients" looking for advice. Be clear about what level of interest or involvement you want to have. The godparent becomes your teacher and guide.

See alt.religion.orisha post, I wrote entitled “Advice to Newcomers to Orisha worship” at http://groups.google.com/group/alt.religion.orisha/browse_thread/thread/28178f4ae7d8ae28/1660d167477dbc9f#1660d167477dbc9f

for more specific details. The same post is also located here on this site - with minor changes - Advice to Newcomers .

e. How can I verify that someone is really a Lukumi priest?

Several online sites can direct you to legitimate priests

CLBA - Church of the Lukumi Babaluaye

http://www.church-of-the-lukumi.org/

Organization of Lukumi Unity

http://www.lukumiunity.org/

Santeria Lucumi Online Community

http://santerialukumi.proboards49.com/index.cgi

and for traditional Ifa try:

http://www.irunmole.org/

Beware of ANY site, or purported priest that offers readings or initiations over the phone or by credit card.

f. What are the costs of joining an ile?

Costs vary from state to state and by region, but the initial cost is in time - you have to be willing to spend time participating in ile functions. If you decide to receive elekes - the costs range from 121 to about 500 - depending on the region and ile practices.

g. Why isn’t everything free?

An ile is a church and congregation, and ritual requires monetary support,

as well as the time contributed by members.

h. What is the responsibility of a godparent to a godchild?

To teach and guide a person through the rituals, protocols and along their spiritual path. No godparent should ever abuse their position of authority and should have no sexual interaction with a godchild.

i. What is the responsibility of a godchild to a godparent?

To be receptive to learning, to respect the rules and traditions of the ile.

j. Does everyone have to be a priest?

No.

k. What is an aleyo?

Aleyo means stranger - but is a term often applied to members of the religion who are not initiated. The proper term is Aborisha

l. What are the warriors?

Warriors are the Orishas Elegua, Ogun, Ochosi, and Osun who are often received together. This is a common initiation for Aborishas (non-priests)

m. What is half-seated?

There is a debate about this term - but some iles consider a person who has received beads and warriors as “half-seated” and allow them to participate in certain rituals and to receive training that is not considered to be appropriate for a newcomer.

n. How is my family going to deal with me joining? (they are Catholic, Baptist, Pentecostal, Jewish, etc.)

It depends - don’t expect them to be enthusiastic unless they have prior knowledge or are very open-minded. The stereotypes they have been fed by the media, will probably take time for them to unlearn - and some family members may never accept your choice - but its your life. There are many families who were initially opposed but after attending open rituals were moved to acceptance.

o. Can joining this religion fix all my problems (marital, sexual, health, job related)?

No. No. No.

p. Do you have to be baptized in church to join?

I have heard this from some heavily Catholic influenced priests - but the answer is No. We have our own rituals involving water.

q. Do you have to be a Catholic?

No. I know priests that continue to practice Judaism, Islam, Buddhism, & Hinduism.

r. If I am Catholic do I have to quit?

No. Many people practice parallel worship.

s. Can I be a vegetarian and join this religion?

Yes. But there are times you will have to ritually taste small amounts of meat.

8.QUESTIONS ABOUT ANCESTOR REVERENCE

a. How do I begin to honor my ancestors?

Though this may sound off topic - the first thing to do is identify them and learn to call their names.. Many people who come into an ancestral religious system enter without thinking about the fact that we are living as a result of the actions of those who went before us - who supplied our DNA. As such you should sit down and begin to draw up a simple family tree. There are currently many websites and services that are available on the internet that can help you research your lineage.

Find a space in your home that you can delineate as a small shrine, which is often on the floor, to your family dead, and place upon it items that may represent them or be symbolic of who they were, this can include photos, but doesn’t have to. See John Mason’s Four New world Yoruba Rituals for a description of African derived ancestral shrines. You can place flowers, make food offerings and light candles at this altar. When making a big meal - it is customary to place the first food to the ancestors prior to serving the living. Food is usually served on a chipped or cracked plate.

.b. What is a boveda?

A boveda is a spiritual altar, never on the floor, covered with a white cloth, that has glasses of water on it - one, or seven or nine usually, and very often other items from the realm of Espiritismo.

c. How is an Egun shrine different from a boveda?

Egun are family members who are deceased, a boveda is more an altar for spiritual guides, who may not be related to you by blood

d. What is an Egun stick?

A tall wooden staff - usually about your height, which is used to ceremonially call for the blessing of the ancestors.

e. Suppose some of my ancestors were bad people? Do I still honor them?

We are not here to judge the actions of the dead. They had all the flaws humans have, but since they are deceased, they are no longer in this realm. We pray for the elevation of all our dead, and in so doing learn to be less judgmental in life.

f. What if I don’t have recent African ancestors? How do I honor European, Native American, or Asian ancestors?

Find items that are symbolic of their religious beliefs and culture to place on your shrine, and give food offerings that they would have eaten when living.

g. What is a “misa” or spiritual mass?

A séance where mediums and participants come together to clarify issues dealing with your family dead or spiritual guides.

Misa protocols:

People usually wear white, and have their heads covered.

. Keep your feet flat on the floor. Never sit with you legs or ankles crossed because this stops, or blocks the "corriente". At a misa - persons approach the table - to clean themselves at the correct time - in the order that they are seated in the circle - not by age order. In front of egun/spirits/muertos - there are no elders or youngers.

If you get up from your chair to leave the room for some reason, leave something in your chair.

No one wears beads/elekes at a misa. If you have them on when you get there - take them off and put them in a safe place.

Be prepared to stay until the misa closes. It is not a good idea to leave before all spirits have been consulted, everyone has been cleaned, and closing prayers are read.



9. RITUALS AND EVENTS IN THE RELIGION THAT ARE OPEN TO THE PUBLIC

a. Why do you have drummings?

To play and sing for the Orisha, or Egun, for both song and dance are prayer. And to invite them to come among us and speak to us, through their mounts or caballos.


b. What is a bembe, tambor, guiro, or fundamento drumming? Are they different?

There are different types of drummings:
Guiro - one conga drum, 3 shekeres and a bell

Bembe - three conga drums - tumbadora, tres golpe and quinto, cowbell and maybe a shekere

Fundamento bata - consecrated Aña drums - Iya, Okonkolo. Itotole, and an achere(maraca) played only in religious ceremony, by Aña priests of various levels of initiation.

Aberikula - unconsecrated bata drums used in both religious and secular (jazz & rumba) settings.

Both fundamento and aberikula have an order:
Oro seco - no vocals
Oro cantado - salutation of heads and saluting of drums by priests . During both these parts of the ceremony - oro seco and oro cantado it is not appropriate to dance. Both of these sections are directed towards the Orisha and are prayer.
Wemilere - open festival dancing

A bata drummer cannot play or touch a fundamento drum unless his hands are “washed” (a ritual giving them entry into the fraternity). Aña drums are Orisha.

Some people give Egun feasts - where music is played to the ancestral line of the person. This can include specific songs to Egun in Lucumi/Yoruba, songs in Lucumi/Yorubs to Orisha, and also music of that persons ethnic heritage.

Other drummings and music:

There are also Ibeji parties .and feasts with drumming for specific Orisha.

Sometimes after religious ceremonies some people do "rumbas" (secular drumming & dancing)

There has been a lot of diffusion of Lukumi religious music into a secular context. Well known singers like Celia Cruz, who was not a priestess , sang both "religious" and more secular adaptations of Orisha music. There is even a hip-hop group now named Orisha - who pay tribute to their roots in Lukumi in contemporary style.

Rumba has incorporated some lyrics from Lucumi sacred sources, and has a number of styles - Yambu, Guaguanco and Columbia.

c. Will I get possessed?

Doubtful, if you are not an initiate. But it has happened. Usually to people who did something they shouldn’t - like dance up in front of the drums. Better to take a back seat and observe. You may feel the energy or “corriente” (current) that runs through the room while the music is playing.

d. How do you learn those songs?

Ritual songs are led by the Akpwon in a call response format.

There are many good cds available of Lukumi religious music, but the best place to learn is in your ile, and at a religious event.

e. What do the songs mean?

They are praise songs to different Orishas, some encouraging them to come amongst us.

f. What do the dances mean?

The dances are ritual invocations of the Orishas and portray elements of the Orishas character and essence.

g. How do I learn them?

By watching or taking classes. But a word of warning - those people who are not initiated should never dance directly in front of the drums at a religious event. This place is reserved for priests.

And the dances taught at dance classes, are for performances. There is nothing sillier than people who have taken a few Orisha dance classes and then shows up at a tambor prepared to perform them. They don’t understand the purpose of the dance, which is to honor Orisha and to prepare the way for a horse to be mounted.

h. What should a non-initiate wear to a bembe?

You do not have to wear white, unless the invitation has that specific instruction. If at a bembe, suggest you have your head covered. Women should be wearing skirts that cover the knees and no low cut blouses or revealing attire. Men should be presentable, not wearing only an undershirt, and no one should be wearing all black.



10. RULES OF BEHAVIOR FOR ALEYOS AND GUESTS AT LUKUMI EVENTS AND CEREMONIES

a. Are there different rules of behavior and or protocols for members and non-members?

Yes there are, and it would be too complicated to list them all, but the most important thing is to enter with respect, be dressed respectfully, and to carry yourself the way you would in any church, mosque, temple or synagogue.

b. Why are people prostrating themselves to the shrine or to priests?

Called “Foribale”, the act of prostration is saluting the Orishas, and their priests and is performed by priests and aborishas. Non priests or non members can simply cross their arms to an altar or shrine and ask the Orishas for their blessings.

c. What are the protocols for aborishas?

Each ile has its own rules regarding the code of conduct and attire of members. This is determined by the godparents.

For aborishas at all gatherings - in the homes of santeros or at rituals - the altar, or throne, or Orishas are saluted FIRST.

Then your godparent is saluted. No matter their age - even if there is a room full of elders. Your godparent will then show you who to salute next - this is done in order of age - eldest first and down the line. Being lifted is a blessing - and as my Ifa godfather explained - one is saluting the Orisha of that persons head - not them - and by lifting you the person is giving you a bit of their ashe and health.

There are elders who will stop you from throwing yourself. This is usually an indication that they are ill - and cannot deplete their own energies. In that case, you simply cross you arms and hug and say "Bendicion" or “Alafia”.

There are some elders who don't want aborishas to throw themselves to be lifted, only want to be greeted with the crossed arms salute. If in doubt ask the person who brought you, godparent or friend about the specific protocols of that ile.

In some houses you do not even salute someone's Orisha unless you are told you can do so - you don't even ask if you can do so. You wait until it is offered to you.

Saluting a Babalawo is done differently. They are saluted by leaning over and touching the ground with the tips of the fingers of your right hand as you say "Iboru, Iboya, Ibochiche".

d. What are the protocols for an ocha birthday?

An ocha birthday is a yearly celebration of the anniversary of a priest’s initiation, and the birth of his or her Orisha. These celebrations usually have a mix of persons present, some initiated, but many are just friends, co-workers and family from the lay community. If you are attending one for the first time, ask the person whose birthday it is the appropriate protocols observed in their ile.

11.TABLE MANNERS/ FOOD, EATING, SERVING PROTOCOLS

There will be times when you will be invited to sit and eat with Priests - whether at an ocha birthday or at after a ceremony. There are protocols - Lukumi etiquette, related to the sharing of food together.

Food is served from the bowls on the table by lifting the plate - the actual container of food is not lifted. (exceptions are things like salt and pepper, butter, etc which can be passed around). This is sometimes a hard rule to learn if you come from a family where serving bowls and platters were always passed around the table.

The theory behind this is that if the serving bowl/platter is not lifted there will always be plenty - one's plate can always be filled. This may stem from early practice of eating seated on the ground - the "container" having contact with the earth - the source of plenty

Elders are served first.

One waits to begin to eat for the eldest priest at the table to begin.

One asks permission to leave the table from the eldest.

The eldest - when finished taps their plate to indicate all can rise.

When clearing the table the person whose plate is being cleared has to tap the plate or table before you whisk their plate away to the kitchen - and you can NEVER place their plate or someone else's on top of it on the way to the kitchen. If you ever worked in the past as a waiter or waitress - you may be used to stacking as many plates as you could in your arms and clearing the table. A big no -no. Plates can be stacked AFTER they are scraped - to be put in the sink, or on the sideboard waiting to be washed. (Explanation: placing a plate on top of that of another "cuts off" that persons energy.)

At very formal meals, when an Oba/Oriate or Babalawo is at the table - all food scraped from the plates goes into a palangana (bowl) which is considered to be an offering to Egun (the ancestors) .

Prior to the meal - a bit of each food prepared goes on a plate (usually a cracked one) and is placed in front of egun.

12. GENERAL DESCRIPTIONS OF OTHER LUKUMI CEREMONIES:

a. Can Lucumi priests perform weddings?

Yes. States vary according to certification required. There are priests in the religion who perform Lukumi/Yoruba ceremonies. Contact any of the groups mentioned in this FAQ for more information.

b. What other kinds of ceremonies are there other than drummings and initiations?

There are healing rituals, funerary rites, and rituals honoring deceased godparents

Healings (awans). Two Orishas - Olokun and Babaluaye have ceremonies open to non-priests where one receives spiritual cleansing and healing energies.

Death - The final ceremonies for priests are called the Itutu and are conducted by an Oba/Oriate.

Honras - a drumming and feast held in celebration of the life of a deceased priest by the godchildren of that priest

c. Are there other traditions practiced with Lukumi/Santeria?

Yes, but this varies from ile (house) to ile. Some iles place heavy emphasis on Espiritismo (Spiritism), others have many members who also concurrently practice Palo Mayombe. It is important to note that neither Espiritismo nor Palo are Lukumi practices. The close proximity and parallel practice has caused a lot of confusion about the distinctions, and there has also been borrowing between and among the varying systems.



No one FAQ can answer every question regarding a religion and its history, rituals, and traditions but hopefully this will be a starting point for demystifying a beautiful faith that has been misunderstood by many outsiders for several hundred years.

original draft FAQ Dec 2005

updated April 12, 2006

*Written and Compiled by Denise Oliver-Velez (Oni Yemaya /Omi Saide)
Draft FAQ alt.religion.orisha originally posted on SanteriaLucumi.com

Many thanks to those who contributed to this effort - folks from OLU, Afolabi, Jesse and countless others.

You are welcome to use this material - but must cite the author and source.




























Tuesday, April 16, 2013

Springtime Awakening in Brooklyn, NY





Springtime is slowly making it's way into being. This beautiful tree (located somewhere Bedford-Stuyvesant, Brooklyn), accented with lights, is awakening from it's wintertime sleep.



While this blessed tree (located somewhere in Clinton Hills, Brooklyn), has begun it's springtime awakening. Spring, though slow to arrive, is here.

Monday, April 15, 2013

What Do You See?

It was 7 o'clock am, on an early spring and still somewhat cold Sunday morning, WHAT AM I DOING UP!

I am normally asleep at that time. I had to be up for a meeting in The City (Manhattan for those of you who don't know what "The City" is). With hood over my head, sunglasses over my eyes, earbuds in my ears, I was listening to "E2-E4" by Manuel Göttsching (a great 7am song by the way), as I walked to the subway station which was just around the corner from my home.

Still wiping the sleep from my eyes (running on about two hours of sleep, maybe less than that), I was thinking about the fact that I was just out the night earlier. There was a dance party I had to go check out, to meet people and network. My first thought was to not go, knowing I had to wake up early the following morning. But this was something that had to be done, being that I was basically relaunching my business as a DJ and music producer. I figured I would just get there early and leave early so I may get enough sleep. Of course as with the law of nature, the elements of the universe, and the will of spirits, it did not happen as planned.

I met this beautiful Afro Spanish woman while at the party. She was well versed in the Yoruba based Afro Cuban religion of Lukumi (the religion or culture in which I practice). So we talked about the Orisha (spirits of nature) as well as music throughout the night, getting dance in here and there. By the way, her guardian Orisha is Shango, my guardian Orisha is Eleggua (Eshu-Elegba). We left the party about 2:30am, I walked her to her home, and continued on to my home. Between showering, and winding down, it was a little after 4am when I got to bed.

Fast-forwarding to the present moment. I walked downstairs into the station, swiped my Metrocard, and walked through the turnstile. Waiting for the subway train to arrive, I was deep in trance as the song (E2-E4) hypnotically played, building, progressing. I turned to find a metal post in front of me. Painted, I saw this shape on the post.



The shape, catching my attention, immediately took shape, I had to photograph it. What I saw was a person in a yoga pose.



At the moment I could not think of the name of the pose (I will look it up and give the name later). But that was what I immediately saw within the shape.

Subway arrived a few seconds after taking the photograph. I made my way onto the somewhat crowed train, in transit to my destination. What I saw in the shape was how it was interpreted to me. What do you see?

Friday, April 12, 2013

Random Musical Thoughts




Out of all the photographs of this amazing, beautiful, and talented group, this is by far my favorite. Two groups in one, Sade, and Sweetback.

Not being one for compromising who they are for record sells. The group Sade puts their very being into every recording, telling a story, guiding you on a journey.

This is just one of the elements that makes their music beyond any known, (or unknown) measure of time. In other words, the music Sade creates is ahead of it's time.






*Photograph courtesy of the Internet.

Thursday, April 11, 2013

Random Thought





This photo is iconic on so many different levels. She is beautiful, and quite comfortable in her skin, she is at peace with the elements. Her eyes gently fixed, looking, peering into your soul. What do her eyes say to you?

I often wonder...

Who is she?
What was she thinking during the shoot?
When was this photo taken?
Where is she now?
Why was this photo taken?

One more I wish to add...

Does she know the impact she made in taking this iconic photo?

The Ewe (Herbs) and Presiding Orisha Correspondence

All priest and priestesses in the Yoruba based religions are herbalists. The use of herbs and plants, called ewe in Yoruba, is one of great emphasis. Herbs are picked fir their medicinal and spiritually empowering properties. In Yorubaland herbs are normally gathered by the priestly and/or herbalists who live in the region. They are then made available to the masses in the marketplace. In the new world urban jungles of the Americas, herbs can be found in local botanicas. Botanicas (taken from the root word botany) are shops where plants, herbs, and supplies sacred to the Yoruba based religions are sold. Botanicas are mostly run by Hispanics, but they are not limited to Hispanic patronage. There everything from herbs for medicinal uses, as well as spiritual baths, to religious supplies are accessible to Yoruba based devotees at botanicas across the Americas. Health food stores are making the healing property of herbs accessible to the masses, providing them in leaf or capsule form. There are also numerous books on the market on herbology, describing herbs and their various healing properties.

Below are the Ewe (Herbs) and the Presiding Orisha Governing them.

This is just a small list.

Esu-Elegba (Eleggua): All Herbs

Obatala: Skullcap, Sage, Kola Nut, Basil, Hyssop, Blue Vervain, White Willow, Valerian Almond Tree, Acadia, Rice, Witch Hazel

Shango: Plantain, Saw Palmetto, Hibiscus, Fo-ti, Sarsaparilla, Nettles, Cayenne, Sugar Cane, Cashew

Yemoja (Yemaya): Kelp, Squawvine, Cohosh, Dandelion, Yarrow, Aloe, Spirulina, Mints, Passion Flower, Wild Yam Root, Spearmint

Oshun: Yellow Dock, Burdock, Cinnamon, Damiana, Anis, Raspberry, Yarrow, Chamomile, Lotus, Uva-Ursi, Buchu, Myrrh, Echinacea, Cashew, Marjoram

Ogun: Eucalyptus, Alfalfa, Hawthorn, Bloodroot, Parsley, Motherwort, Garlic

Oya: Mullein, Comfrey, Cherrybark, Pleurisy Root, Elecampane, Horehound, Chickweed

Quick note, please consult an ordained priest of the Yoruba based religions of Ifa, Lukumi (Santeria), Candomble, or any of it's nature based equivalent, or someone well versed in herbology before any use. To make sure the herbs you are using are conducive to your mind, your body, your spirit, your energy.




*List of herbs taken from the books "The Handbook of Yoruba Religious Comcepts" by Baba Ifa Karade, and "Cuban Santeria: Walking With The Night" by Baba Raul Canizares.



Tuesday, April 9, 2013

Springtime Is Upon Us




Look familiar? A definite sign that springtime is here. Upon leaving home late Monday afternoon, I heard a sound that was all too familiar, the sound of the Ice Cream Man.

Random Thoughts From An Artistic Indigenous Gypsy of Eclectic Soul Music

I was so moved by the spirit to write this, please bear with me, there is a need for it to be said.

I have been on the club scene or culture for almost 30 years. From dancer, to security, to door person, to go-go dancer (yeah I did it, and did it quite well making lots of money from it), to promoter, to the last 14 plus years as a DJ. From failure to success, to starting all over again, I have experienced it all. Through it all I believe I have pretty much remained truth to who I am. Though much can not be said about the scene itself, a lot has changed, I wish I could say for the better, but I can't.

I took an almost 2 year sabbatical (hope I spelled that right) from the so-called house music scene to take a few steps back and reevaluate everything as well as reevaluate myself. For years I have been a part of a scene that in truth and with opened eyes, really did not want me to be a part of it. Hearing those talk about loving you and supporting you and coming to hear you, but never showing up. Then when they see you saying, "I'll come to your next one," knowing it's only talk. Other variables included things like if you were doing a party where there is a cover, and the cover is say $5, and people asking to be on your guest list. But yet those same people are paying $10, $15, $20 to so and so's party. Need I continue? True story, and I'll never forget it. I was doing a monthly party in Atlanta, GA while living there. I was charging $5 cover, $3 if you had a flyer. There was a guy who looked me in the eye and asked if I was doing a guest list. I looked at him as if he were joking, which apparently he was not. I gave him a flyer saying, "sorry, no guest list." He then asked if I can do a guest list for him. A woman standing close enough to hear the conversation turned and said, "If he's asking to be on a guest and the cover is $5 even $3 with a flyer, then you don't need him at your party." She continued, "You can ask three people in line for a dollar if you don't have it, you don't need him nor anybody like him at any of your parties." she made a valid point. I kid you not, that was a true story. If you are doing a party as such where there is a cover. The people that should be on your guest list are people in the industry. This includes DJ's, Promoters, Artists, Musicians, Club Managers, industry folk. Cover charge is just that. It covers everyone's salary for the night, particularly the DJ, Promoter, and all that are involved with them. Even if the venue is not charging a cover, support the bar, because more than likely that is how everyone is getting paid. Countless time I have seen the dancers show up and as someone commented once, "spin on the floor" all night, and not even buy a bottle of water from the bar. In some cases I have witnessed bottles of water being snuck into the venue. No support at the bar means no one gets paid, including the DJ. Which usually ends in mo more party. Nobody works for free, and doing it "for the love" is not gonna pay the bills. I digress.

During my sabbatical, I worked my regular job as stressful as it was. Struggling to survive, barely able to take care of myself while trying to cope, dealing with other issues. I learn more and more about the Yoruba based Afro Cuban religion of Lukumi (a Yoruba word meaning "My Friend") more commonly known as Santeria. Learning to commune with the Ancestors, the Orisha (spirits of nature), and God Almighty. Mostly learning to connect with the Ashé (life force) of my guardian Orisha, Eshu-Elegba (Eleggua), guardian of The Crossroads. The spirits have been with me my entire life, most would say I'm crazy. I'm here to say, "I'm not crazy, I know what I have seen and experienced, and it is real." "Everything Happens For A Reason."

I began speaking to spirits through prayer, small offerings of water and candlelight, and most resent, Tarot Cards, doing an occasional reading here and there mostly for myself. Even doing energy work through the Tarot on occasion. But it just was not enough, I was missing the one key element to my own life energy, MUSIC.

I made the decision to return because there is something missing, mostly from myself, but also something that many just do not do anymore. You have so many DJ's coming up now who mix quite beautifully, but they are not telling a story, not being a messenger of the music. They are predictable, they are not making you think, much less spiritually moving you to dance.

A good friend once told me after listening to me DJ for the first time, "You make me want to dance, but at the same time you make me want to think." That small simple comment (if I quoted it right) he made about my DJ'ing stuck out in my mind. At the time I did not know what to make of it. But as time moved forward I learned to understand just what it meant, and I thanked him for that. For it pretty much define who I am, making me not just a Selector, not just a DJ, but a Messenger.

So I made my return to the turntables around the middle of last year, on my own terms. A friend a really good friend, was DJ'ing a weekly party at a spot in Williamsburg, Brooklyn. The party was a combination of him DJ'ing, and a different live band every week. He DJ'ed across the board, from reggae, to soul, to disco, to house, to straight ahead jazz and it was beautiful. The various bands that played there would play from funk, to soul, to reggae, to 80's, to experimental, and all points in-between. I asked my friend if I could play along with him one night, in which he gladly said yes.

The night went well, marking my return by playing (and playing freely I might add) to a completely new group of people who were intelligent, eclectic, artistic, independent, openminded, and deep, unplugged. The DJ and I played well together, our styles contrast but complimented each other. Needless to say my return to the turntables was well received, and my friend who became like a brother would invite me back about once a month to play.

Playing periodically at my friend's party marked my return, so I used that as a relaunch of sorts, a rebirth of Aphrosoul. I revamped my DJ bio (more than a few times), opened a WordPress site, also opened a Soundcloud site for my DJ mixes, and a twitter account. I approached a friend who owned a spot not far from where I live. I helped him out about 3 years back by doing a 15 hour new years party. He had been closed for remodeling for almost 2 years around the length of my sabbatical. We talked and he gave thanks by offering me a night. I started my monthly dance gathering at the newly remodeled spot.

I'm using my gathering as a means of obtaining more DJ'ing gigs, paid gigs, as well as music production. I'm also looking to get back into being the opening DJ for live bands and artists, which was how I made a name for myself while living in Atlanta. Moving away from the drama and ego of the whole DJ circle, which I felt never wanted me to be a part of anyway. Paving my own road, to "Ease On Down," and walking to the beat of my own drumming, rebirth.

Marketing myself and what I do more toward the eclectic, the artistic, the independent, the intelligent, the musically openminded, the unplugged, the deep. Keeping it intimate, keeping it local, keeping it Brooklyn.

Being that I gravitate more toward The Loft than The Paradise Garage (WHICH I LOVE BY THE WAY), but I love the freedom of The Loft, which gave it more of an edge over The Paradise Garage. I want the freedom of being deep into a house set, then out of nowhere, drop in some Mahalia Jackson, or John Coltrane, or Dizzy Gillespie, or Rolling Stones, or Boz Scaggs, or Donald Byrd, or Roy Ayers, or Fleetwood Mac, or Steely Dan, or Duran Duran, or even Linus and Lucy (aka the Charlie Brown Theme), and everyone in the room is still with me because they "get it."

With all due respect to all the DJ's in the so-called house music scene, I LOVE THEM ALL, even those who do not love me in return nor even like me. I am not a clone, nor do I desire to be stuck in playing from a "top ten" list. Then it would be just like commercial radio, where you hear the same ten songs every hour all day, all night. You know as well as I do it was never like that. You heard it in the club first before it ever hit radio. By the time it did hit radio, the club DJ was on something else. Again, I digress.

I say all of this in saying that everything has it's rightful place in the universe, and everything happens for a reason. I'm not perfect nor all that righteous, I never made such claims. I make mistakes, have made mistakes, and probably will make a few more mistakes just like everyone else. To those who do judge, prosecute, and execute, I say this. While you are so caught up in pointing that one finger at me, please observe the three fingers of that same hand pointing right back at you.

Monday, April 8, 2013

Sixteen Truths of Ifa

1. There is a single God.

2. There is no devil.

3. Except for the day you were born, and the day you are supposed to die, there is no single event in your life that cannot be forecasted and, when necessary, changed.

4. It is your birthright to happy, successful, and fulfilled.

5. You should grow and obtain wisdom during the process.

6. You are reborn through your blood relatives.

7. Heaven is "home" and Earth "the marketplace." We are in constant passage between the two.

8. You are part of the universe in a literal, not a figurative way.

9. You must never initiate harm to another human being.

10. You must never harm the universe of which you are a part.

11. Your temporal and spiritual capacities must work together.

12. You are born with a specific path. It is your goal to travel it. Divination is your road map.

13. Our ancestors exist and must be honored.

14. Sacrifice guarantees success.

15. The Orisa (Orisha) live within us.

16. You need have no fear.





*Taken from the book, "Way of The Orisa" by Phillip J. Neimark.


The Elements, Astrology, Tarot, & The Orisha That Govern Them

The universe as a whole, as well as everything in it, is made up of four elements. Fire, Water, Air, Earth, form the very fiber of everything in existence. From the Astrological (Zodiac) Signs to the Tarot Cards used for divination are made up of The Elements, and ruled by them.

As for The Elements themselves, each Element is governed by the angelic emanations of The Creator, also known in the African Yoruba, Afro Cuban, and Afro Brazilian based religions as the Orisha.

Below is each Element, the Astrological sign they govern, the Tarot suit the Elements govern, their Characteristics, and the Orisha who govern them all.

Element of Fire govern Aries, Leo, Sagittarius. Fire also govern the tarot suit of Wands (Clubs), ruling over Perception, Intuition, Insight, Activity, Phallic Energy.
Orisha of influence: Eleggua, Ogun, Oshosi, Aganyú, Shango, maybe Oya.

Element of Water govern Pisces, Cancer, Scorpio. Water also govern the tarot suit of Cups (Hearts), ruling over Inner Emotional Activity, Love, Feelings, Sexual Energy.
Orisha of influence: Olokun, Yemaya, Oshun.

Element of Air govern Aquarius, Gemini, Libra. Air also govern the tarot suit of Swords (Spades), ruling over Mental and/or Spiritual Condition, Processes, Attitudes.
Orisha of influence: Ogun, Oya.

Element of Earth govern Capricorn, Taurus, Virgo. Earth also govern the tarot suit of Disks (Diamonds), ruling over External, Physical, Material, Health, Finances.
Orisha of influence: Eleggua, Oshun, Orisha Oko, Ajé Shaluga,



Sunday, April 7, 2013

The Few Good People I Met Along The Way

In my many years as a DJ, I have met quite a few good people along the way. Some of the them have been a major influence on me as a DJ. While others have been a major influence in other areas, such as my spiritual path. Then there are those who were that voice of belief, chance, faith, reason, and strength. And finally there are those that, well, we just vibe well together. Here are just some, of the few good people I met along the way.



It was blessed to have met and hang out with the one who influenced me most into this whole DJ thing. Thank you Louie Vega.



Always good times hanging out with this beautiful blessed man. Thank you for being there and telling me never to give up on my dreams, no matter what. Thank you Kenny Bobien.



I had the honor of being the opening DJ for this club music legend. Thank you Tony Humphries.



To my big brother in "The Religion," Maferefun (all Praises to) Orishas! From my Eleggua to your Aganyú, I give thanks to you Carlos Mena.



Beautiful and blessed to hang with these two legends. Thank you for giving me the honor of playing along side you André Collins. And to my other big brother in "The Religion" for being that light, that beacon, from my Eleggua to your Shango, Moforibalé! (I Salute you) Joe Clausell.



Always great to vibe with this brother. Thank you DJ Butch SOS.



Seeing this brother of deepness out and about not only creating beautiful energy on the dance-floor as a dancer, but also behind the turntables as a DJ, moved me to new levels of deepness. Thank you for the opportunity of playing along side you, we will be doing it again. Thank you for deepening my horizons DeepJust AQuaBeaT (DJ AQBT).



Ever since meeting this beautiful spirit in human form. He has been not only a current source of inspiration, but also a guide musically and spiritually. From my Eleggua to your Oshun, Modupé (I give thanks) to you, my big brother in music, and in "The Religion", Osunlade.



This man did something that many just do not do anymore. This man believed, had faith, and took a chance. He gave me an opportunity to be heard as a DJ when everyone only said they would, but never really intended to. To the man who gave me my start when I arrived in NYC. I give thanks to you, and I am eternally grateful to you Eman.



To the one who stood up spoke on my behalf, when everyone else looked down on me. I learned so much being your opening DJ. Thank you DJ Sedrick aka The District House Mother of DC.



And finally to the one who saw something in me, took me under her wing. I learned the very foundation of being a DJ from this woman. She threw me into the lion's den. By that I mean, I learned everything about DJ'ing in the club, yes on the job training. From the depths of my soul, I thank you so very much DJ Rocky B.

There are other Artists, and DJ's who were influential in my continuous evolution, musically and spiritually. DJ Jesse Mann, the late great vocalist Josef Saddler, singer Robin S., Sheila Ford, DJ Karizma, and a few others. These are the few good people I met along the way.

The Elements of The Universe

This is something I came across via the Internet. I felt the need for something to be said, so please bear with me.


"Woman, your yoni is the chalice. Man, your phallus is the wand. What magick we create depends upon whom we allow to worship within our gates.”


I say this time and time again. We are sexual beings, we are spiritual beings, we are human beings. Beings of nature, beings of the universe. Just as music is life and life is music, sexuality is life and life is sexuality. Sexuality and Spirituality have been one in the same since before the beginning of time. Only western society is against such unity and freedom. Separating the two and teaching that it is shameful even evil to be who you truly are. There is nothing wrong with being sexual, as long as you are not hurting anyone nor yourself, you as well as those around you are of positive energy, you are safe and respectful of all, you are about spiritual elevation, and most important, your energy is conducive to one another, then all is good.

We've gotten away from the universe, we've gotten away from the elements, we've gotten away from the earth, we've gotten away from nature, we've gotten away from the environment, we've gotten away from the embodiment of what it all truly is.





*Words by Aphrosoul.

**Photo and Quote, both courtesy of the Internet.

Saturday, April 6, 2013

FRIDAY! APRIL 19TH! EAT, DRINK, DANCE, CELEBRATE AT MOJUGBA! BUSHBABY BAR & GRILL! BROOKLYN!




LOOKING for a place to MEET? LOOKING for a place to HANG OUT?
LOOKING for a place to have a MEAL?
LOOKING for a place to have a DRINK?
LOOKING for a place to DANCE?
LOOKING for a place to CELEBRATE?


With the weather getting warmer, the layers of clothing begin to shed. SPRINGTIME is here, as APHROSOUL opens an ECLECTIC, melodic path to MOJUGBA, a Homage to Dance, Music, Love, Food, Libation, Life. EVERY MONTH! On the 3RD FRIDAY! 10PM-4AM at BUSHBABY Bar & Grill, 1197 FULTON ST (OFF BEDFORD AVE), BED-STUY, BROOKLYN, NY. Resident DJ, APHROSOUL leads you on a Sensual, Musical Journey of Soul, Jazz, Funk, Disco, Deep House, & beyond. Served with the right combination of MUSIC to sooth your MIND, FOOD to nourish your BODY, DRINK SPECIALS to quench your SOUL, & Open DANCE SPACE to RELEASE YOURSELF. Complemented with Warm, Welcoming, Positive Vibrations from the BUSHBABY staff in the name of Love, Peace, & Blessings. NO COVER! NO COVER! NO COVER!

Subway Directions- Take the late night A/C Train to Franklin Ave Station, walk along Fulton ST toward Bedford Ave.


If you or someone you know has an upcoming (B)EARTH-DAY (BIRTHDAY). COME OUT to BUSHBABY for MOJUGBA! If you are looking for a place where there is NO DRAMA, NO EGOS, NO ISSUES, NO JUDGEMENT. COME OUT to BUSHBABY for MOJUGBA! If you are looking for a place to RELAX, RELATE, RELEASE through RHYTHMIC MOVEMENT, COME OUT to BUSHBABY for MOJUGBA! If you need Something For Your Mind, Your Body, & Your Soul. COME OUT to BUSHBABY for MOJUGBA!

MOJUGBA is ONCE A MONTH, EVERY 3RD FRIDAY! For the ECLECTIC, ARTISTIC, INDEPENDENT, MUSICALLY OPENMINDED, FREE SPIRITS.

Regardless of your Race, Creed, Color, Cultural Background, Orientation, Status. As long as you are Positive Spirit and of Good Vibrations, ALL are WELCOME at MOJUGBA!

MOJUGBA, is a Yoruba word meaning, "TO GIVE HOMAGE"

See you then...





Friday, April 5, 2013

Sacrificial Offerings to the Orishas

Just as we give homage to our ancestors in the form of prayers, flowers on their gravesite, lighting a candle, even pouring libation on the ground in their name. Homage must also be given to the Orisha.

Below is some of the most commonly known Orisha, along with a list of sacrificial offerings to each one. Some offerings are as simple as water, flowers, tobacco, rum, while others as complicated as animal sacrifice.

A quick note on sacrifice, I must make. Just about every culture, religion, and spiritual path in the world perform some form of offering or sacrifice. The Muslims have their Halal, the Jews have their Kosher, and the list goes on. The religion of the Yoruba have Ebó, which is another word for offering. To appease the spirits of nature or the deity, an offering is made to them. We make sacrifices of various types all the time, and of various degrees. Reasons for sacrifice may vary, from giving thanks for granting a need, to preventing or removing a cause of suffering, to making a sacred vow to the deity. The list is as followed.

Elegba
Tobacco; Roasted Corn; Palm Oil; All Fruits/ Nuts; Coconuts; Roosters; Male Goats; Yams

Obatala
Shea Butter; White Fruits; Coconut; White Kola Nuts; Efun; White Yams; Snail; Snail Water; Rice; Hens; Pigeons; Female Goats

Shango
Plantains; Yams; Okra; Green Bananas; Tobacco; Rum; Bitter Kola Nuts; Rams; Roosters (Red)

Yemoja
Molasses; Seafoods; Ducks; Hens (or Roosters)

Oshun
Huney; Cinnamon; Pumpkin; Oranges; Lettuce; Eggs; Guinea-Hens; Hens; Sheep

Ogun
Rum; Tobacco; Palm Wine; Palm Oil; Pineapple/ Fruits; Roasted Corn; Roosters; Male Goats; Yams

Oya
Rum; Red Wine; Eggplant; Rice and Beans; Plums; Tobacco; Purple Grapes; Hens (or Roosters); Female Goats; Plantains






*Taken from "The Handbook of Yoruba Religious Concepts" by Baba Ifa Karade.



Thursday, April 4, 2013

The Twelve Forms of Yoga

The twelve forms of Yoga. Tantra Yoga is a combination of the first four main Yogas.

1. Mantra Yoga
2. Hatha Yoga
3. Laya Yoga (Kundalini Yoga)
4. Raja Yoga
5. Bhakti Yoga
6. Kriya Yoga
7. Gyana Yoga
8. Lakshya Yoga
9. Vasana Yoga
10. Para Yoga
11. Amanaska Yoga
12. Sahaj Yoga




Oshun Ibu Kole

There are many paths or manifestation of the Oshun, the Orisha of the river, love, sensuality, fertility. This path of Oshun is Ibu Kole, also know as "The Witch." She mostly works in solitude. Most of her children are holistic healers (reiki, massage therapy, acupressure, acupuncture), do energy work, or entrepreneurs.


Ibu Kole

This path of Oshun is known as the vulture. Ibu Kole is the Oshun that reached the house of Olofi to tell him that the people on the lands were dying of thirst. With that said Olofi took off the punishment off the land and let rain fall again. This Oshun is said to be a very magical witch. She takes 5 little mortars where additional secrets are kept where her initiate can make powerful spells. Her colors are honey, coral, amber and onyx stone. She is adorned with feathers of a vulture. Her children must have a juiro where an Osain is kept that hangs over her to keep Ibu Kole in one spot and to make sure she is there in here tureen. When this Oshun comes down she dances like if she was a bird, swaying her arms up and down as if she was in flight.





*Picture taken from my Lukumi Tarot Deck.
*Information courtesy of the Internet.

Prayers (Orikis) To The Orisha of The Crossroads, Eshu-Elegba (Eleggua)

First come the Ancestors, giving homage to the ones who came before us. Our Ancestors are then followed by the Orishas, the spiritual guardians who govern the forces of nature and watch over us. Then least but not least, The Creator God Almighty, who created the universe and everything in it. Then leaving the Orishas to watch over and protect us. Sustaining our daily needs through nature as we live, learn, love, elevate.

Before favor is asked, homage is given to Eshu-Elegba, the Orisha of the crossroads. He owns all the paths, all the doors, all the roads, both in the material world, as well as the spiritual world. He is the divine messenger, to the other Orishas, and especially to God Almighty. Other spiritual paths and religions have their own spiritual equivalents to this powerful Orisha, but all roles are the same. I have a saying that I pretty much live by in regarding the many spiritual paths that are based in nature. "All Paths Lead To The Same Destination."

These are just a few of the Prayers (Orikis) to the Orisha of the crossroads, Eshu-Elegba (Eleggua in the Afro Cuban branch of "The Religion").

Prayer (Oriki) 1:


Eshu protect my family.
Protect the initiates of the Temple and me also.
Let me not be moved against the people.
Let not the people be moved against me.
Grant me long life.
Grant me peace.
Grant me elevation of my consciousness.
Grant me the ability to use my own hands.
Eshu I salute you.

Prayer (Oriki) 2:



Owner and elder of the crossroads. My father, remover all evil, for us to walk in peace, loss is no more, tragedy is no more, sickness is no more, death is no more, unforeseen evil is no more, in the name of all children in this house. I give you thanks, my father Elegba.

Prayer (Oriki) 3:




Eshu turns right into wrong, wrong into right.
When he is angry, he hits a stone until it bleeds.
When he is angry, he sits on the skin of an ant.
When he is angry, he weeps tears of blood.

Eshu slept in the house, but the house was too small for him.
Eshu slept on the verandah, but the verandah was too small for him.
Eshu slept in a nut, at last he could stretch himself.

Eshu walked through the groundnuts farm.
The tuft of his hair was just visible.
If it had not been for his huge size, he would not be visible at all.
Lying down, his head hits the roof.
Standing up, he cannot look into the cooking pot.
He throws a stone today and kills a bird yesterday.






*Pictures courtesy of the Internet.

*Prayer (Oriki) 1 taken from "The Handbook of Yoruba Religious Concepts" by Baba Ifa Kayode.

*Prayers (Orikis) 2-3 taken from "Eshu-Eleggua Elegbara: Santeria and The Orisha of The Crossroads" by Baba Raul Canizares


Wednesday, April 3, 2013

My Own Personal Evolution, A Conversation With DeepJust AQuaBeaT (DJ AQBT)

This was an interview or a conversation I conducted a few years ago, June 22, 2010. I came across it going through some old notes, and decided to post it here. I do hope you enjoy.




Aphrosoul: How did you get your start in the industry?

Dj.Aqbt: I've been making music and mixing for over 20 years. I got an opportunity to play in Omaha, Nebraska a few years back and played some original material. That led to other dj gigs in Denver & St. Louis where I tried more original material. My confidence grew as the tracks were well received. Two of them, “Our Transition” and "Amazon My Amazon," were heard by Fred P aka Black Jazz Consortium and he asked to sign them to his Soul People Music label.

Aphrosoul: Who were your influences when you started?

Dj.Aqbt: Musically, the 80's. I loved that 80's sound. Golden age Hip Hop and electronic music, Zulu Nation, Kraftwerk, Art of Noise.
House specifically, Larry Heard, Kevin Saunderson, Master Cee & Jay, Blake Baxter, that deep Chicago and Detroit tech.
Guitar heroes: Carlos Santana, Eddie Hazel, George Benson, Prince. Whatever I was listening to at the time was an influence. Once I got into the house scene though it was all about dancing and the sounds that made me move. Djz, Disciple, Kim Lightfoot, Ian Friday, Joey Llanos. Most recently My Soul Assembly crew has been my biggest "professional" influences. They are the ones most directly influential in my recent journey. Then there's my wife. I operate on a, "will she dance to this" mind set and work accordingly.

Aphrosoul: Who did you listen to while growing up?

Dj.Aqbt: My family was very religious so I didn't really listen to the radio until I got a walkman at 14 years old then it was all music, all the time. Rock, Pop, R&B, Hip Hop; artists that I mentioned previously. I locked on to Soul/Jazz/Rock fusion when I got in2 college. Deodato, Stanley Clark, Norman Connors, Mandrill, Funkadelic, Weather Report, Led Zeppelin, Black Sabbath, The Doors. Everything sounded danceable to me. There were also Reggae/Dancehall guys like Yellowman, Shinehead, Barrington Levy Bob Marley, Peter Tosh, as well as Free Style. I’ve always dug deep bass and percussive rhythms.

Aphrosoul: Do you remember the first time you played out?

Dj.Aqbt: My man Rachid aka Brotha Ra, dope dj in his own right, was having a "moving out party." He opened his set for an entire weekend and invited everyone he knew 2 come rock. I was nervous, the turntables were buggin’..lol but man it was amazing!

Aphrosoul: How was the experience? Did it go well?

Dj.Aqbt: It's a blur but it felt great. I was in there mixing live jazz recordings with metronomed dance tracks...lol. Just naive enough 2 try it out. Had to ride and coax the pitch the whole way. Turntables didn't match, belts worn, dials worn...lol. I got kudos from some of the other cats though, including Kim Lightfoot. That was huge 2 me.

Aphrosoul: Which did you begin with first? Djing or production? Which do you enjoy doing more?

Dj.Aqbt: I started producing 1st. I was playing live music though; not house. I love them both but because I make music with my dj sets in mind I'd have 2 say I love dj'ing more.

Aphrosoul: What was your first production?

Dj.Aqbt: I can't remember anymore but it wasn't anything released anyway. The Amazon EP was my 1st release.

Aphrosoul: What do you use for your productions?

Dj.Aqbt: Reason and a Tascam 16 track digital recorder.

Aphrosoul: Do you play any instruments?

Dj.Aqbt: A little guitar, bass & keys.

Aphrosoul: Do you have a favorite song? Why? And does the song have any special meaning to you?

Dj.Aqbt: Of my own there’s a soon to be released track called “11.” It comes from a really deep, personal and vulnerable place. I put myself out there 4 that one. If I had to choose a song that truly affects me every time I hear it I'd have to go with, "Never No More Lonely" by Fingers Inc. or "Nutshell" by Alice In Chains. There are a lot of songs that move me so it really depends on where I'm at mentally/emotionally but those 2 are consistent.

Aphrosoul: Who are some of the people in the industry that you have worked with?

Dj.Aqbt: On the production side I had the opportunity to work with Richard Laurent of Kraze. He goes by Earthman Expereince nowadays. Most recently I’ve had remixes of my tracks done by Hallex.M, Fred P aka Black Jazz Consortium and PeteBlas will be doing a remix of an upcoming release; possibly “11.”.

Aphrosoul: Are there any people in the industry that you want to work with? Why?

Dj.Aqbt: That’s a tough question 4 me because there’s not really anyone that I don’t want 2 work with. I’m very attracted to the contrast created by fusing styles and I love reinterpretation through collaboration so I’m wide open. There are off the radar talents that I’d love 2 bring in. I have cousins, Jean Marc Faustin and David Leon, crazy talented multi instrumentalists. Sidy Maiga, master drummer for the Uhuru Afrika party in Boston. There’s a trumpeter, Maurice Brown aka Mo’Betta out of Brooklyn that’s just ridiculous. Richard Laurent again. Guerilla After Party, that’s my brothers Brent & Chris out of Omaha. Vocalists with distinguishable styles like Gaelle, Monique Bingham, Romanthony, Robert Owens Bjork, Unai, Omar, Seal. I love what’s coming out of South Africa too…Qness, Aero Manyelo, Paul Deep, Nathan X, Culoe De Song, Black Tunnel & Blaq Soul. Imugem Orishasam out of Japan…crazy tight sonics; Fred P again…super deep house. There’s also this up and coming cat, Aphrosoul that’s promising some heat! There’s a lot more but I think u get the drift.

Aphrosoul: Have your influences changed over the years? If so, who are they? And how have they influenced you?

Dj.Aqbt: As I’m getting more serious about this it’s the outside of music forces that are beginning 2 play out in my process more and more. I’m a child of the 80’s so my music influences are electronic and for the most part that continues but it’s rooted in my appreciation for early jazz, rock and world music…traditionally improvisational and interpretive forms. Artists like Lonnie Liston Smith, Head Hunters, Norman Connors, Carlos Santana, Prince, Fela, Led Zeppelin, Funkadelic, Stanley Clarke, Jimi Hendrix, Talking Heads, The Police, Boukman Eksperyans. These guys are fusionists to the nth degree. That spirit was and still influences me greatly.

Aphrosoul: How would you define your sound? Then, and Now?

Dj.Aqbt: Deep Afro Tech Excursionary Soul

Aphrosoul: What direction would you like to see the music to go?

Dj.Aqbt: Whichever is true and natural.

Aphrosoul: What does music mean to you?

Dj.Aqbt: From day 1 music has always been about dancing. Music has meant peace of mind through movement. Whether it be through its creation, expression or influence. It's my counter weight 2 all things stressful.

Aphrosoul: How would you describe your energy?

Dj.Aqbt: Aquatic, flowing, percussive but melodic framed in a groove. That's in my production, mixing and dancing.

Aphrosoul: Everyone has that special place within themselves. What place are you within yourself?

Dj.Aqbt: I very easily zone out. In music; thought; dancing. When I'm within myself I'm deep in the moment and that moment becomes expansive.
That melody, groove, rhythm can consume me...when I'm within myself no one else exists.

Aphrosoul: Please tell me about some of your life experiences and travels, as well as where they have taken you on a spiritual perspective.

Dj.Aqbt: About 8 or 9 years ago I went to my 1st Winter Music Conference.
It renewed my thirst 4 House again. I had been out of the scene for a few years b4 that. It was incredible to see all the different parties, with all the different themes and djs. That WMC introduced me to "cultural" parties; Jump N Funk & Alma specifically. I went for the next 6 years straight, met dj's and dancers and incredible people along the way. Heard and fell in love with House all over again. Realized the NYC scene was not the only planet in the House universe. Hands down the most eye and mind opening experience has to be going out to Omaha, Nebraska. That was my 1st trip west. I was with my now wife at WMC 2006 and having discussions about being open 2 new paths no matter where they might lead. I met Brent Crampton through Julius the Mad Thinker. Brent told me about his party in Omaha called LOOM.and in keeping with the "being open" thing we decided to go out there when Julius was playing. It was amazing! The generosity; the open arms & hearts; the freedom; the joy was off the charts!

That spirit of openness and following the path as it flows led to so much.
That WMC in March2006 we also met a great group of people from Boston so we took multiple trips out there in April and May.
In Boston we met Adam Gibbons who we found out was a mentor to Brent Crampton and heard Dj Sabine play for the 1st time.
In Omaha in June & Aug. Sabine & I played with Raven Fox & Dino from St. Louis which led to us going to St. Louis in Sept where Sabine & Brent were invited to play with Raven & Pirahnahead out of Detroit. Raven Fox dubbed our growing family "Soul Assembly" on that trip. The family got deeper and over the years we've spun and celebrated each other's accomplishments. Omaha continues to hold a special place in my heart. It's led to so many opportunities, friendships and experiences and all of this would not be possible if I had not simply "let go" and followed the signs I was given.
Denver, Phoenix, New Mexico, Chicago, Mexico and this year it came full circle with me playing my 1st WMC event. My reward 4 being "open." Staying true to the signs has been its own reward.


Aphrosoul: Do you have a favorite place to play or perform?

Dj.Aqbt: The energy in Omaha is always amazing. Anywhere really; I just love playing but if I have a preference it's 4 outdoor events.

Aphrosoul: What more can we expect from you?

Dj.Aqbt: More gigs...more music. Deeper & more melodic music.

Aphrosoul: What words of advice do you have for future dj's who are looking beyond into production?

Dj.Aqbt: Develop "your sound." Trust & follow your instincts. Understand sonics. Don't be afraid to go it alone but there's nothing wrong with networking and building relationships. Play your own material when ur out...it's the sure fire way 2 know if u have a winner or not.

Aphrosoul: Please, tell me who is DJ AQBT? What is his purpose and life mission?

Dj.Aqbt: Dj.Aqbt is a step in my own personal evolution in music. It articulates a philosophy more than it represents a person. I hope that doesn't sound flighty but it's true. My life mission is the prosperity of my family. I'm a house head, so I dance...more over I'm a deep house head so I feel it. I feel the call of the drum and appreciate the gift of communal celebration even though I can be a bit shy.

I've been around 4 a while now. I have a decent day job. So I'm blessed 2 b in the position to support others. It's a love thing 4 me. If there's a life mission in this somewhere, it's 2 b able to continue to keep the love 1st and share it.

I wish to give thanks for the opportunity of communing with you. In parting I wish you love, peace, blessings, and light.